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What a wonderful week we had in Portugal on our painting holiday this month! Our small group of eight enjoyed an incredible week of cultural travel and art in the Portuguese countryside, while towing along our paints and drawing mediums to capture the beauty. From the views of bright green hills and valleys filled with wild flowers to the beaches, town and castle visits, the experience was authentic and heartfelt.

All of it was new to most of the guests, who had never been to Portugal, but ‘new’ is not the best way to describe where we were. Aldeia da Mata Pequena, a wonderfully restored 400-year-old village reminiscent of a fairy tale, is located in the wholesome countryside just a 30 minute drive from Lisbon.

Upon arrival, we were met with the quiet of a tiny street laid with limestone bricks and lined with stone and white-washed cottages. The sounds and sites were exciting yet comforting. They made us want to explore the small street of quaint guest homes adorned with clay pottery, wild flowers and fruit trees. They made us want to approach the many animals around us, including chickens, roosters, bunnies, a pig, a donkey and two stunning peacocks or snap a photo of one of the numerous sunlit vignettes of serendipitous still life, from a rustic bicycle to a sunlit bowl of lemons. They made us want to paint.

Our outdoor sessions took place on my back ‘porch’, a makeshift studio set up by Diogo, the villa owner. It had a working table, benches and a permanent stone table that had likely been there for hundreds of years. Our stone sink nearby was ideal. The view provided our reference. We did monochromatic still-life studies and colour studies before venturing off to great places.

My next door neighbour, the friendliest pig!

One of the week’s highlights was a visit to Sintra, specifically the Pena Palace and the mystical gardens of Quinta da Regaliera. Colour and drama best describe these two places since the Palace had been restored recently, transformed into a vibrant massive yellow and pink castle with an interesting facade of ball-and-spike impressions and a spectacular entrance. Quinta da Regeliera was a challenging spot for exploring and painting. With bridges and walkways built with unrefined rocks, cascading foliage everywhere and mystical, unusual tunnels and wells, it was a haven for painting and photography. A visit to the fortified town of Obidos with its shops and houses surrounded by a castle wall proved to be more material for inspiration. We also sampled Portuguese tapas and meals that were literally steeped in tradition! One of our best memories is our visit from a local cook, who made fresh bread stuffed with cod (Bacalhau a Bras) right in our very own wood-burning stove in our guest house kitchen. These are just a few highlights of our very special week exploring the Portuguese country and culture. I look forward to another painting holiday again in the summer of 2017 since I know we had so many great ideas that were left unpainted. So many subjects, so little time! Keep in touch for the upcoming 2017 dates.

 
Writer: Sandra IafrateSandra Iafrate

Niagara-on-the-Lake Spring Painting Workshop

Inspiration is budding all around us as the weather finally gets warmer (although there were spring flakes falling outside my studio last week!)

With budding leaves and the fresh smell of spring air, I'm looking forward to more painting and getting outside.

Coming up, I have a 2-day painting workshop held in the beautiful historical town of Niagara-on-the-Lake, Saturday, May 14th and Sunday, May 15th, from 9:30am to 3:30pm with break for lunch. We will be studying spring subjects; birds, buds and blossoms! Hopefully one of the nearby fruit orchards will be in full bloom and we can make our own version of Van Gogh's cherry blossoms. The workshop is held in a restored heritage building, The Niagara Pumphouse, set on the banks of the Niagara River. Check out the link for details at http://niagarapumphouse.ca/courses/course/w8-spring-painting/spring-2016 or contact me at iafrate.art@gmail.com

(Image: cherry blossom study, Sandra Iafrate)

Last Call for Portugal!

A 'take to Portugal' pile has been accumulating in the corner of my studio, but I keep promising myself NOT to take the kitchen sink (although, that would be handy whilst painting outdoors.) I can't wait to visit our little village, completely restored by owners Ana and Diogo, adorned with original artifacts and traditional tools. We will work in one of the stone and whitewashed cottages, but also head out to wonderful towns and villages nearby. The highlight will be Sintra Palace and surrounding mystical gardens, where we have permission to paint amidst this amazing inspiration! To learn more about this trip visit my workshop page (photo above: cottage at Aldeia da meta Pequena, Portugal)

25th Annual Garden Tour Painting Demonstration

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I have been asked to paint in the Niagara-on-the-Lake horticultural societies highly anticipated garden tour coming up July 9th and the ideas, not to mention gardens, are abundant! I can't wait to get my easel out for this wonderful event.

Tickets for the tour are available at https://www.eventbrite.ca/e/25th-annual-garden-tour-niagara-on-the-lake-horticultural-society-tickets-20559261304

or tickets can be purchased at Mori Gardens, TD Bank, Virgil, Seaway Gardens and Farms, NOTL Chamber of Commerce and Mullen Gardens in Niagara Falls by early May 2016 or at any garden on the day of the Tour. I will be posting details and map once it becomes available.

I do hope you can join me in bringing our easels outdoors! Happy Spring!

Link to the 'last of the snowflakes' April, 2016 https://www.facebook.com/strivieri/videos/10153368459200899/

 
Writer: Sandra IafrateSandra Iafrate

Work in progress by Sandra Iafrate.

"It's like watching paint dry".

I'm continuing with orchids,

this time on black, loving the dark background. In order to create a clean contemporary look I laid a flat dark mix of acrylic paint as a background while bold brush strokes in light oil paint colours will be saved for the flowers.

A similar painting process is being used for lilies and poppies, making it a series for Spring and Summer exhibits. Firstly, I drew the composition, then painted the background in acrylic before working on the flowers. I kept the paintings monochromatic to make it more contemporary. This is quite a change from previous floral work which is much more busy and chromatic. This was my attempt to create a quiet yet dramatic effect.

Above: Orchids, poppies and lilies drawn on canvas, work in progress by Sandra Iafrate.

These photos above show the drawing stage and background painting. The poppies were outlined in thinned acrylic paint before applying the background. The white orchids and lilies were drawn in with vine charcoal.

Above: Lilies on Black detail, work in progress by Sandra Iafrate.

I tried to keep the palette very neutral mixing subtle calming whites for the lilies. The shapes and the manner in which the flowers fall make a nice composition across the canvas.

*Update: The final images can be viewed on my Paintings page on my website, you might notice that I have made a few adjustments. Also, the paintings are currently on exhibit in Washington, D.C. and Toronto. You can visit my exhibit page for details.

*Update update: My Lilies on Black painting was just selected as a finalist for International Artist Magazine June issue, Floral and Garden Competition! Thank you IA, I am so honored!

 

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